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It marries the precise mechanics that define Mario’s adventures with the chaotic nature of Ubisoft’s Rabbids. The two come together in a project that resembles the 2K Games’ “XCOM” series, but “Mario + Rabbids” reinvents that formula to make it flexible and fun. In this world, disastrous circumstances cause the Rabbids to invade the Mushroom Kingdom and, in the process, corrupt it. A Rabbid called Spawny is attached to a headset with the ability to combine any objects he sees. If he spots a Rabbid and a paint brush, they turn into a mohawked foe called a Ziggy. That same Rabbid combined with a gorilla can turn into the Rabbid version of Donkey Kong. In the wrong hands, Spawny’s power could be devastating.

Aragon High School Performing Arts, “Into the Woods.” 7 p.m, Nov, 20-22, 2 p.m, Nov, 23, Aragon High School Theater, 900 Alameda de las Pulgas, San Mateo, $10-$15 advance, $10-$17 at the door, www.aragondrama.com or 650-558-2920, Broadway By the ballet leotards houston Bay, “Anything Goes.” 8 p.m, Nov, 7, 8, 15, 22; 2 p.m, Nov, 9, 15, 16, 23, Music and lyrics by Cole Porter, Directed by Michael Ryken, Featurings Katie Jaime (Reno Sweeney), Adam Cotugno (Billy Crocker), Samantha Cardenas (Hope Harcourt), Ray D’Ambrosio (Moonface Martin) and Tomas Theriot (Evelyn Oakleigh), Fox Theatre, 2215 Broadway St., Redwood City, $42-$64, 650-579-5565 or broadwaybythebay.org..

But Diablo Ballet artistic director Lauren Jonas thinks giving the girls the opportunity to express themselves in often challenging ways has the potential for a profound and possibly transformative effect on their lives. With the help of a California Arts Council grant, she and Stegge are teaching movement classes to juvenile offenders in a bid to give them new and positive ways to express themselves — and maybe even help them stay out of juvenile hall. The teens — ages 15 to 18 — meet weekly with the dancers and learn how to turn their emotions into movement.

The thousands of festivalgoers arriving Saturday had their choice of acts on 13 downtown stages: singers Kim Nalley and Kenny Washington; DJ Ali Shaheed Muhammad (of A Tribe Called Quest); legendary guitarist Larry Coryell; a 20-piece big band from Bahia, Brazil (Letieres Leite’s Orkestra Rumpilezz); the great drummers Terri Lynne Carrington (whose group included singers Ledisi and Oleta Adams) and Joseph “Zigaboo” Modeliste, a founding member of the Meters, And there was another great drummer: Sylvia Cuenca, who was raised in San Jose, She and her quartet began their show on the Silicon Valley Stage in the Fairmont Hotel with a tune — “Firm Roots” by the late pianist Cedar Walton — that glowed and ballet leotards houston then grew red-hot..

The result is a heady psychedelic workout that, simply put, all big Pink Floyd fans should experience. And what makes it so necessary is that shines a much-needed spotlight on those early records — beginning with the 1967 debut “The Piper at the Gates of Dawn” and continuing through 1972’s “Obscured by Clouds” — which are so often overlooked in favor of Floyd’s blockbuster later releases like “The Wall.”. Despite what classic rock radio would have you think, the Pink Floyd journey does not start with “Dark Side of the Moon” and it’s worth the time and energy for fans to get familiar with the works that led up to that 1973 masterpiece.