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The two parties were able to come to an agreement that is still being finalized; however, the players are now focusing on celebrating the group’s 45th year in the city. From Feb. 21 through March 16, the company is performing A Little Princess. Little Shop of Horrors will kick off on April 4. “We’ve been around 45 years; that’s a huge milestone,” said Diamond. “Two years ago, we were barely keeping afloat, but people have stepped up, we have new board members, more donations are coming in. Ticket sales aren’t where we’d like [them] to be, but we’re making progress.”.

The program also includes works by Rossini, Mahler and Shostakovich, There will be four performances: next Thursday at First Congregational Church, Berkeley; Sept, 24 at First United Methodist Church, Palo Alto; Sept, 25 at the Herbst Theatre, San Francisco; Sept, 26 at Osher Marin Jewish Community Center, San Rafael, Tickets: $29-$49; www.ncco.org or 415-392-4400, (The public is also invited to an open rehearsal at the Herbst at 10 a.m, on Sept, 20, Tickets, available at the same address and size 5 ballet flats phone number, are $10.)..

The mother-daughter duo stayed in Gallery Hotel Art, steps from the Ponte Vecchio, Uffizi, Boboli Gardens, Duomo and Cathedral. Rose described the hotel as clean, crisp, white and modern, with an ideal location. “The hotel has a fabulous rooftop bar with an amazing view of Florence,”. noted Rose. Their favorite dinner was at Antica Trattoria da Tito. “If you go late in the evening they pass out masks and wigs and everyone drinks and dances on tables!” Rose said. “The waiters joined us in dancing to 80s American music while freely pouring Lemoncello and grappa shots for everyone.”.

The staging and costumes in the first half were elegant but simple, allowing for cohesiveness and a seamless flow between the dances, The lighting design by Michael Oesch beautifully complemented the feel of each piece, The second half of the program, “Cool Christmas,” is more light-hearted and humorous, size 5 ballet flats choreographed in a variety of styles to seasonal standards and popular music, The centerpiece and perennial audience favorite is Smuin’s “Santa Baby,” set to the classic Eartha Kitt tune, starring Erica Felsch and a 42-foot feather boa, Felsch brough a subtle air of amused entitlement to the role as she was attended by her five fawning suitors..

“Robbins wanted to broadcast to the rafters, and other times he’d want us look at each other, not even out at the audience, and ask us to create an internal subtext,” Neal recalls. “When I first learned ‘Fancy Free,’ he’d put together a cast and tell us to go out drinking, get into trouble and come back and use that.”. Neal hasn’t assigned any carousing to the Ballet San Jose dancers, but he’s passing on some of the insights he gleaned directly from Robbins. In much the same way, Tharp veteran Shelley Washington brings her experience to the company’s restaging of “In the Upper Room,” though, in her case, she was there at the creation.